] "This is the kind of record I want to make, going
] forward," Ms. Merchant said. "I've been writing things
] that are much more obscure and sort of shelving them,
] thinking I can't get this past a corporate boardroom and
] I won't even try."
]
] "I understand that the larger labels are just interested
] in the projects that can generate the most capital for
] their quarter," she continued. "But I didn't want to
] subject the music to that kind of corporate boardroom and
] radio censorship. Why subject myself and the work that I
] do to that kind of environment when it really doesn't
] matter any more?"

Just the first of many, I'm sure.

Natalie Merchant, No Strings Attached