] "If that assumption is correct, then only 2,480 out of
] 36,386 titles from 1927-1946 are available, or 6.8%.
] 93.2% are commercially dormant."

While this result is hardly surprising, its important, because the Copyright club has argued that copyright protection for old works is the best way to ensure their distribution. Obviously, its not working very well.

Proof that Valenti is wrong...