Create an Account
username: password:
 
  MemeStreams Logo

A Box of DeMille

search

possibly noteworthy
Picture of possibly noteworthy
My Blog
My Profile
My Audience
My Sources
Send Me a Message

sponsored links

possibly noteworthy's topics
Arts
Business
Games
Health and Wellness
Home and Garden
Miscellaneous
  Humor
Current Events
  War on Terrorism
Recreation
Local Information
  Food
Science
Society
  International Relations
  Politics and Law
   Intellectual Property
  Military
Sports
Technology
  Military Technology
  High Tech Developments

support us

Get MemeStreams Stuff!


 
A Box of DeMille
Topic: Arts 7:13 am EDT, May 23, 2006

It's like HBO's "Rome", only it's from 1932.

The first film in the collection, "The Sign of the Cross" (1932), is ostensibly a tribute to the early Christian martyrs, though DeMille, of course, spends far less screen time on the suffering of the Christian faithful (stoically embodied by Elissa Landi, with her British stage diction) than with an effeminate, heavily made-up Charles Laughton, as a Nero who dutifully fiddles as Rome burns, and a svelte, seriously underdressed Claudette Colbert, who as the Empress Poppaea takes the required milk bath (and invites a female courtier to strip and join her).

The cross may finally conquer all, but not before a female Christian, selectively draped in plastic ivy, has been staked down in the arena for the delectation of a pack of hungry alligators and one of her sisters has been tied to a post and offered up to an aroused gorilla. These and other scenes — long cut from television versions of the film, but restored here thanks to the fine work of the UCLA Film Archive — have led the film historian Mark A. Viera to describe "The Sign of the Cross" as the single film most responsible for the enforcement of the censorious Production Code in 1934.

A Box of DeMille



 
 
Powered By Industrial Memetics
RSS2.0