indie-style films increasingly resemble low-budget versions of studio business, too often leaving the truly independent movie without a home.
as a rule the art-house studios and their peers now tend to seek films with clear marketing elements, as witnessed by the bidding war at the last Sundance festival over the humorous romp "Little Miss Sunshine," which wound up with Fox Searchlight.
That leaves little room for films that don't fit into obvious niches, or that can't be sold to clearly identifiable audiences.
Mr. Norton said he was drawn in particular to the film's questioning of modern life and its unabashed nostalgia for a more rugged past.
"I get heartbroken flying into L.A.," he said. "It's just this feeling of unspecific loss. Can you imagine what the San Fernando Valley was when it was all wheat fields? Can you imagine what John Steinbeck saw?"
Mr. Norton predicted that it would find its audience: moviegoers who seek substance at the theater. "We wanted to create a western for our crowd, about the westerns we knew and grew up with," he said. "David is committed to raising questions that he doesn't answer, and he leaves you to do the work."
