First published in 1945 and about to be reissued in the NYRB Classics series, it is an epic account of how just about everything in America—creeks and valleys, rivers and mountains, streets and schools, towns and cities, counties and states, the country and continent itself—came to be named. Like other broad-minded and big-hearted works of American culture from the first half of the 20th century—H.L. Mencken's American Language, John Dos Passos' U.S.A. trilogy of novels, the Federal Writers' Project American Guide series, Harry Smith's Anthology of American Folk Music—Names on the Land reflects a glorious union of two primal forces in the American mind. On one hand, Americanism: the inclination toward the large-scale and industrial, toward manifest destiny and the farthest shore, toward what a French critic a century ago called the American "worship of size, mass, quantity and numbers." On the other, Americana: the craving for the local and the lo-fi, for the inward heart of things, for the handcrafted and the homemade.
