Judith Thurman's book of essays possesses the three cardinal virtues of nonfiction: Its prose is stylish and often witty; it delves into various topics with hungry curiosity, and it is very, very intelligent. Thurman takes her subjects seriously, giving the same respect and in-depth analysis to "Hump the Grinder's Hair Wars" as she does to the novels of Gustave Flaubert.
Many essays are about fashion, treating it not as a trivial pursuit of the chic and moneyed, but as the preeminent domain of beauty and its transgressions, of disguise and invention, of the making and remaking of identity. Her subjects include Madame de Pompadour, Marie Antoinette, Coco Chanel and Elsa Schiaparelli, Bill Blass and Ralph Lauren.
