On one level, Magnum became the personification of an American society that had yet to deal effectively with the fallout from the Vietnam War. By the end of the 1980s, the struggle to deal with the unresolved issues of the war erupted full force into American popular culture. Before Magnum began to deal with his psychological scars in the context of the 1980s, network programmers apparently believed that any discussion of the war in a series would prompt viewers to tune it out. With the exception of Norman Lear's All in the Family in the early 1970s, entertainment network programming acted, for the most part, as if the war had never occurred. However, Magnum, P.I.'s success proved programmers wrong. Certainly, the series' success opened the door for other dramatic series which were able to examine the Vietnam War in its historical setting. Series such as Tour of Duty and China Beach, though not as popular, did point out that room existed in mainstream broadcasting for discussions of the emotional and political wounds that had yet to heal. As Thomas Magnum began to deal with his past, so too did the American public.
