Photographer Edward Burtynsky made a formal proposal for a permanent art gallery in the chamber that encloses the 10,000-year Clock in its Nevada mountain.
Photographic prints, especially color prints, degrade badly over time. Burtynsky went on a quest for a technical solution.
Burtynsky showed a large carbon transfer print of one of his ultra-high resolution photographs. The color and detail were perfect. Accelerated studies show that the print could hang in someone’s living room for 500 years and show no loss of quality. Kept in the Clock’s mountain in archival conditions it would remain unchanged for 10,000 years.
A typical Burtynsky photograph showed a huge open pit copper mine. A tiny, barely discernible black line on one of the levels was pointed out: “That’s a whole railroad train.” Alberta tar sands excavation tearing up miles of boreal forest. China’s Three Gorges Dam. Mine tailing ponds beautiful and terrible. Expired oil fields stretching to the horizon. Michelangelo’s marble quarry at Carrera, still working.
“This is the sublime of our time, shown straight on, for contemplation.”
Indeed worth studying for centuries.
I'm working on a project, The Long Now Foundation, to encourage long-term responsibility. Esther's on that board, too. We're building a 10,000-year clock, designed by Danny Hillis, and we're figuring out what a 10,000-year library might be good for. If the clock or the library could be useful to things you want to happen in the world, how would you advise them to proceed? For instance, if you want to see humanity move gracefully into space, you have to accept it's going to take a while.
