Ever since Sam Phillips stuffed some wads of paper into an amplifier, inadvertently creating the fuzzed-up, overdriven electric guitar sound on Ike Turner's 1951 rave-up "Rocket 88," pop musicians and producers have turned happy accidents into great records. But the history of house and techno, in particular, is underpinned with fits of serendipity and creative perversions of recording technology.
