] The ASCAP license is only the tip of the iceberg: there
] are also comparable licenses for BMI and SESAC, two other
] performing rights organizations; mechanical rights from
] the Harry Fox Agency, _and_ a "master use license" to be
] negotiated with the record labels for each track. The
] latter can be under any terms the label chooses, and they
] can refuse you outright.

This is a subject that is near and dear to my heart. The corrupt world of Digital rights clearance. If you click on the link at the bottom of this story to Matt May's blog there are comments from me at the very end.

Boing Boing: Wil Wheaton: So, ASCAP to *license* podcasts? Readers respond.