March 2003 issue - Some Rights Reserved Cyber-law activists devise a set of licenses for sharing creative works By Gary Stix In a book published in 2001, Stanford Law School professor Lawrence Lessig decried the threat to the Internet from both large media interests and burgeoning intellectual-property laws. In Lessig's view, the Internet should serve as a commons, a medium that encourages creativity through the exchange of photographs, music, literature, academic treatises, even entire course curricula. Lessig and like-minded law and technology experts have now decided to go beyond making academic arguments to counter the perceived danger. On December 16, 2002, the nonprofit Creative Commons opened its digital doors to provide, without charge, a series of licenses that enable a copyrighted work to be shared more easily. The licenses attempt to overcome the inherently restrictive nature of copyright law. Under existing rules, a doodle of a lunchtime companion's face on a paper napkin is copyrighted as soon as the budding artist lifts up the pen. No "©" is needed at the bottom of the napkin. All rights are reserved. The licenses issued through Creative Commons have changed that. They allow the creator of a work to retain the copyright while stipulating merely "some rights reserved." A user can build a custom license: One option lets the copyright holder specify that a piece of music or an essay can be used for any purpose as long as attribution is given. Another, which can be combined with the first, permits usage for any noncommercial end. Separately, the site offers a document that lets someone's creation be donated to the public domain. Scientific American: Some Rights Reserved | 
