I am not the only one digitizing music. Without breaking any law, I could just as easily have gone on the Web to download the songs I had bought in the same digital format, thanks to the prior work of many other music lovers. So far music listeners around the world have digitized more than 850,000 albums and 10 million songs of all musical genres. Fans have already converted almost all music ever recorded.

Kevin Kelly has written an op-ed piece about the Eldred v. Ashcroft case in the New York Times. Can you guess which side of the debate he favors?

I am not the only one digitizing music. Without breaking any law, I could just as easily have gone on the Web to download the songs I had bought in the same digital format, thanks to the prior work of many other music lovers. So far music listeners around the world have digitized more than 850,000 albums and 10 million songs of all musical genres. Fans have already converted almost all music ever recorded.

Kevin Kelly has written an op-ed piece about the Eldred v. Ashcroft case in the New York Times. Can you guess which side of the debate he favors?

[ Interesting, but he missed all of the DJ oriented vinyl that has been released over the past 10 years. Admittedly it's a small slice, but almost assuredly the bulk of it is not digitized. Most of these tracks (even popular ones) have runs of less than 50,000 total. The average is probably closer to 2,000. There is a completely new body of underground music that is mostly untapped and unheard by the masses. --Rek ]

I am not the only one digitizing music. Without breaking any law, I could just as easily have gone on the Web to download the songs I had bought in the same digital format, thanks to the prior work of many other music lovers. So far music listeners around the world have digitized more than 850,000 albums and 10 million songs of all musical genres. Fans have already converted almost all music ever recorded.

Kevin Kelly has written an op-ed piece about the Eldred v. Ashcroft case in the New York Times. Can you guess which side of the debate he favors?

[ Interesting, but he missed all of the DJ oriented vinyl that has been released over the past 10 years. Admittedly it's a small slice, but almost assuredly the bulk of it is not digitized. Most of these tracks (even popular ones) have runs of less than 50,000 total. The average is probably clsoer to 2,000. There is a completely new body of underground music that is mostly untapped and unheard by the masses. --Rek ]

I have an answer: movie buffs. "

Thank you Captain Obvious. Why the hell is it that Kevin Kelly gets published in the New York Times for pointing out something so plain that one wonders what Mr. Valenti was thinking when he said it. Is it because he is rich and famous, or is it simply because he bothered to write them? I think its the former more then that later.

I might ask Mr. Valenti if he owns a fork. And if so, if the company that made his fork has a patent on forks, and if not, why said company went to the expense of producing and distributing forks without having a patent to prevent competition.