The "Guernica" Myth
You may have heard the story about how Colin Powell forced the U.N. to cover Picasso's "Guernica" while he made the case for war in Iraq. It isn't true.
by Claudia Winkler
04/16/2003 1:00:00 PM

...

Early this year, as the Iraq drama was playing out at the United Nations, the press corps covering the Security Council swelled. The usual press stakeout, where ambassadors routinely take reporters' questions outside the Security Council, simply couldn't hold the numbers--expected to reach 800 for Powell's address on February 5. So the Secretariat moved the stakeout down the hallway.

As over 200 cameramen were setting up, they complained that the background at the new location didn't work for them. Powell would be speaking in front of the tapestry, of which only indecipherable shapes would be visible. Couldn't a plain background be provided, like the white wall the cameramen were used to outside the Security Council chamber, which is ornamented only by the words Security Council / Conseil de Securite in brass letters?

The temporary solution, provided by the Secretariat, was a U.N.-blue backdrop. Said the British diplomat, "The Secretariat did it, to meet the visual requirements of the TV guys."

It was only afterwards that comments were heard about the unfortunate symbolism of blocking out "Guernica." As a result of these, the Secretariat moved the press stakeout to a third location halfway between the first two. Now cameras could take their choice: They could pan across "Guernica" and some flags to the speaker, standing in front of the blue backdrop against the plain white wall, or they could content themselves with the usual head shot.

Nothing in this account is the teeniest bit implausible. By contrast, everything about the claim that "American officials" or "Powell's handlers" "demanded" this "censorship"--and that a Dominique de Villepin-friendly U.N. instantly provided it!--fails the laugh test. Yet expect the suppression of "Guernica" by the Bush administration to enter the settled leftist lore of the Iraq war.

] As over 200 cameramen were setting up, they complained
] that the background at the new location didn't work for
] them. Powell would be speaking in front of the tapestry,
] of which only indecipherable shapes would be visible.
] Couldn't a plain background be provided?

Of course, her smugness is just as disgusting as their dishonesty. All the radicals are the same...