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This page contains all of the posts and discussion on MemeStreams referencing the following web page: Was Grand Theft Auto IV Inspired by Al-Qaida?. You can find discussions on MemeStreams as you surf the web, even if you aren't a MemeStreams member, using the Threads Bookmarklet.

Was Grand Theft Auto IV Inspired by Al-Qaida?
by possibly noteworthy at 7:24 am EDT, Jun 16, 2008

Islamist forums are abuzz with a new theory: The designers of the video game Grand Theft Auto IV, they say, were inspired by killing methods developed by al-Qaida. But did the idea for the car bombs and suicide attacks in the game really come from Osama bin Laden?

YouTube doesn't lie.


 
RE: Was Grand Theft Auto IV Inspired by Al-Qaida?
by Decius at 8:22 am EDT, Jun 16, 2008

possibly noteworthy wrote:

Islamist forums are abuzz with a new theory: The designers of the video game Grand Theft Auto IV, they say, were inspired by killing methods developed by al-Qaida. But did the idea for the car bombs and suicide attacks in the game really come from Osama bin Laden?

YouTube doesn't lie.

I think this is as silly as saying that GTA is misogynist, yeah you can crash a plane into a building but you did that, not the game. The whole point of GTA is that you get to decide what happens. You can make offensive choices.


 
RE: Was Grand Theft Auto IV Inspired by Al-Qaida?
by possibly noteworthy at 9:11 am EDT, Jun 16, 2008

Did the idea for the car bombs and suicide attacks in the game really come from Osama bin Laden?

Some counterpoints to this 'theory':

Gillo Pontecorvo's 1965 film The Battle of Algiers portrays the urban warfare between Algerians and the French troops occupying their country.

"How to win a battle against terrorism and lose the war of ideas," read the flier.

Modern urban terrorism began in Algiers, and one result of that development was France's creation of a monstrous, chaotic, military apparatus of torture to use any means necessary to dismantle the terrorist cells. Did torture succeed in Algiers because the paras were dealing with a small population in a cordoned-off area?

One wonders.

Gillo Pontecorvo, the Italian filmmaker who explored terrorism and torture in colonial Algeria in the powerful and influential 1965 classic, “The Battle of Algiers,” died here on Thursday. He was 86.

The parallels between the Algerian war and modern warfare are striking, and lessons can be extracted from French successes and failures in its drive to contain and manage the Algerian uprising.


 
 
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