Two master entertainers from England, and the line connecting them is palpable.

Hitchcock studied four Dickens novels at school: 'Bleak House', 'A Tale of Two Cities', 'Great Expectations', and 'Our Mutual Friend'. His favourite was 'Great Expectations', which may have inspired a theme of 'growing up' found in several of his 'picaresque' thrillers (such as North by Northwest). But it was 'Bleak House', notes Donald Spoto, which 'seems to have engraved itself on Hitchcock's memory. More than a simple treatment of political corruption and the injustices of the legal system (which the young Dickens and his family had experienced firsthand), "Bleak House" details a grim distrust in any public institution. This same sort of cynicism informs Hitchcock's films, where statesmen and judges and lawyers and policemen are venal, small-minded, driven by the most intense lust and greed, and not much better than the apparent villains.' (Donald Spoto, 'The Life of Alfred Hitchcock' [1983], p. 28. Spoto perhaps underestimates Hitchcock's personal detachment, but cynicism is certainly present in a work like The Paradine Case. See, for example, the note below on the sadistic, and lustful, Judge Horfield.)