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This page contains all of the posts and discussion on MemeStreams referencing the following web page: Vast Designs | The New Yorker. You can find discussions on MemeStreams as you surf the web, even if you aren't a MemeStreams member, using the Threads Bookmarklet.

Vast Designs | The New Yorker
by possibly noteworthy at 5:59 am EDT, Oct 25, 2007

Jill Lepore, in the latest issue of The New Yorker, reviews What Hath God Wrought: The Transformation of America, 1815-1848.

How America came of age.

Her review is worth reading.

Here's Thoreau:

“Men have an indistinct notion that if they keep up this activity of joint stocks and spades long enough all will at length ride somewhere, in next to no time, and for nothing; but though a crowd rushes to the depot, and the conductor shouts ‘All aboard!’ when the smoke is blown away and the vapor condensed, it will be perceived that a few are riding, but the rest are run over.”

I'd file this book alongside such (Richard) Hofstadter classics as Anti-Intellectualism in American Life and The Age of Reform, as well more recent Pulitzer Prize winners like Louis Menand's The Metaphysical Club: A Story of Ideas in America.

"What Hath God Wrought" earns a Starred Review from Publishers Weekly:

In the latest installment in the Oxford History of the United States series, historian Daniel Walker Howe, professor emeritus at Oxford University and UCLA (The Political Culture of the American Whigs), stylishly narrates a crucial period in US history -- a time of territorial growth, religious revival, booming industrialization, a recalibrating of American democracy and the rise of nationalist sentiment. Smaller but no less important stories run through the account: New York's gradual emancipation of slaves; the growth of higher education; the rise of the temperance movement (all classes, even ministers, imbibed heavily, Howe says). Howe also charts developments in literature, focusing not just on Thoreau and Poe but on such forgotten writers as William Gilmore Simms of South Carolina, who helped create the romantic image of the Old South, but whose proslavery views eventually brought his work into disrepute. Howe dodges some of the shibboleths of historical literature, for example, refusing to describe these decades as representing a market revolution because a market economy already existed in 18th-century America. Supported by engaging prose, Howe's achievement will surely be seen as one of the most outstanding syntheses of US history published this decade.

See also the Farm Fetish story.


 
 
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