If ever there was an antithesis to Leibovitz's airbrushed glamour shots, the images of Sontag are it, made during the last few days of her illness, and finally, after her death. Swollen and scarred, lying prostrate in her bed, Sontag suffers mightily in front of Leibovitz's lens, a reality that is especially hard to reconcile when one remembers how preening and proud Sontag could be in life.