“After my shift at JcPenny, I would anxiously unstrap the various audio recorders and pinhole cameras inside my car in the parking lot. When the audio recorder jammed, or the video signal encountered interference and recorded only snow, I would feel my identy pivot on these failed results. In those moments I felt a crisis of identity. Was I really an artist, working in social intervention while critiquing the aesthetics and economic models of portraiture, or was I a minimum wage worker at an ailing suburban mall?”